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Modernist Estates: The buildings and the people who live in them

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Without Bauhaus, neither Hansa-style social housing nor modernism as we know it would have happened. In 2010, as Laurent was walking in Courbevoie, he discovered a tiny little street where he felt time had stopped for 50 years. "The place was surreal. I befriended a couple of old people and started to photograph them. Their traditional garden offered a stark contrast with the surrounding skyline of towers, bringing together two different eras, two different living styles."

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One of the deciding factors when choosing this particular flat was we have the only intact original bathroom in the building – both tiles and appliances are from 1937 – and we live in one of the turrets, with a semi-circular living room. Like all flats in the building, we still have the original Crittall windows. The previous owner had added internal secondary glazing with plastic frames but we removed those. Many people go to Berlin to eat sausages, drink lager and gawp at what’s left of the Wall. They might add on a trip to related exhibitions portraying life in the DDR or the Spy Museum. Bauhaus, by contrast, is not merely a past movement; it is a force in the present day, offering nuanced insights into German life and art. In art books, modernism is usually presented as rootless, but much of what we now think of as new has its roots in Dessau and Weimar. Bella had long been on the Modern House mailing list. “I’ve always been slightly obsessed with modernist architecture,” she explains. When she first spotted the listing, it was at an emotionally charged time – shortly after the death of her mother, when Bella was four months pregnant. By and large the interiors have a hipster-ish vibe to them, and unsurprisingly Shoreditch gets a few mentions, along with Bethnal Green and Barbican etc, and every other person seems to be an architect or graphic designer, so this is very much a glimpse at how the other half live. Most of the interiors have a clinical yet relaxed and liveable feel, but for all the middle-class, Guardian-reading vibes, many of the locations’ best days are behind them, and author Stefi Orazi doesn’t shy away from admitting this. Dance in Glass, by Oskar Schlemme, at the new Bauhaus Museum Dessau. Photograph: Ronny Hartmann/Getty Images

An express train takes me to Weimar, 280km south-west of Berlin. The founders of the Weimar Republic met there (also in 1919) because the city was as politically neutral as was possible in post-first world war Germany. They hoped for spiritual guidance from Weimar’s intellectual ghosts: former residents include Goethe, Schiller, Nietzsche and Liszt.

How a cash-strapped generation fell for the fantasy world of

The trip was supported by the German tourist board. See bauhaus100.de for more information. Original Bauhaus: the Centenary Exhibition runs from 6 Sept to 27 Jan 2020 at the Berlinische Galerie in Kreuzberg. Direct Deutsche Bahn trains run Berlin Hbf-Dessau (from €19.90); Weimar-Berlin usually involves a change at Erfurt (from €29.90 bahn.com); Dessau-Weimar may involve 2-3 changes (from €19.90) Beyond Bauhau: more modernist classics in Germany A walking tour around Regent’s Park Estate to discuss the masterplan and designs of the new infill housing on the estate. The walk is led by architects Hilary Satchwell (Tibbalds), Alex Ely (Mae) and Matthew Lloyd (Matthew Lloyd Architects). We had lived in the better-known Isokon building for six years and dreamt of living in Berthold Lubetkin’s Highpoint in Highgate but couldn’t afford it, so it had to be a 1930s building of architectural merit. Whitehall Lodge has plenty of original features, and also a generous landscaped garden. Muswell Hill is a very nice part of north London, a real village with lots of small shops and cafés. What a very interesting and a amazing read. I do judge a book by its cover and I loved this books cover so nice and simple just drew me into reading it. I didn't actually read what the book was about but I was pleasantly surprised that not only was was it a fantastic history of modernist architecture but also show pictures of an apartment and about the people who live their to. It was brilliant I loved every minute of this book. I learnt so much from reading this book and also learning about the types of people choosing to live in these very unique buildings. The questions the author asked each resident were so interesting and made for brilliant reading. I must admit modernist buildings are not my cup of tea but it still fascinated me and I thoroughly enjoyed the experience of reading the books. The layout of the book was brilliant. I loved all the photographs included in this book. The only thing I would of liked to see more of was a picture from the same angle of the buildings present day to see the comparison of of when it was build to todays picture.Sprowston Mews is located five minutes walk from Forest Gate train station, and is home to an emerging creative community of architects and self-builders, inspired by the experimental mews house-building of the 1960s, such as Murray Mews in Camden. The construction (from 1959) is less robust than what we were used to in the Barbican Estate and sound thermal insulation is less than ideal. It would be hard to improve either of those as the pivoting Crittal windows mean that secondary glazing is problematic. We designed and installed a glass screen between the kitchen and living room as someone before us widened the original opening and we wanted to enclose the kitchen but also make sure it looked visually open. Prior to moving here, I’d lived in Golden Lane Estate and the Barbican Estate, so I had accumulated quite a few pieces of furniture. I’ve always tended to buy mid-century classics such as a Robin Day sofa, Alvar Aalto table and a George Nelson bed. Not because I want to live in a museum, but because their proportions tend to fit smaller spaces better than modern, bulky furniture. I’ve bought a few pieces specifically for this flat, including an Alfred Roth daybed. My favourite piece of furniture, however, is by the contemporary furniture designer Michael Marriott. I have his Croquet shelving – simple oak uprights with colourful folded sheet steel shelves. I just love them and they’ve moved with me across five different flats over the last 15 years.

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