The unique AtomHDR engine processes the incoming Log/RAW/HDR signals from your camera or device and displays in all its HDR glory on the Ninja V screen. There are matching profiles for a plethora of cameras, with more added as they emerge. Prefer to work is Rec.709? The Ninja V has you covered with the ability to load custom LUTs to match your workflow. Ninja V continues to evolve. The monitor’s features keeps improving with every new AtomOS release. Not only will additional ProRes RAW capable cameras be supported, other new features have constantly been added for free. Recent additions include a wider range of frame guides (1:1, 4:5, 1:91:1 and 9:16) - perfect for social media content creation. A nine-grid overlay makes composing using the rule of thirds easy. The addition of an ARRI style false colour scale bolsters Ninja V’s impressive professional credentials. And this is still just the start… Social. Gaming Record 4K HDR Gaming Offering up to 2TB storage, a sequential read speed of up to 550MB/s and write speed up to 500MB/s, these drives can record up to 150 minutes of 4K ProRes on a single drive. And measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom built drives neatly fit the Ninja V’s compact proportions. Small screen. Epic proportions Tap the setting ICON, and you can set-up your recording options. It’s worth pointing out here that the Ninja V doesn’t update your cameras recording settings, so if your camera is set to 1080p, then that is the resolution that will feed through to the Ninja V.

If the user boots into ProRes RAW recording mode with a YCC SDI Input, the monitoring image may be incorrect. Monitoring and Recording whilst outputting a RAW signal to the Ninja V in ProRes RAW mode will work as expected. The less than ideal form factor and handling of interchangeable lens cameras (ILC) have led many manufacturers to design handy and innovative solutions for video; from housings, mics, handles, and of course, monitors. Interlaced signals are now supported. An automatic pulldown conversion gets applied to them, which then gets conformed to the Project Rate. If files have been recovered, Proxy files will not be uploaded and highlighted with a red exclamation mark icon. The recovered files must be manually uploaded to the Cloud. If switching between different camera models whilst HDMI Compatibility mode is selected, ensure that you reboot the Ninja V before connecting a new camera.Likewise, if I shift to the Zyiyun Crane 3S with Smallrig handle, I can again bolt the monitor with another friction control arm. If you shoot a mirrorless camera that has a clean HDMI output, there is often a huge improvement in the quality of the footage if you output to an external drive. Most cameras record 4:2:0 in 8-bit internally, but via HDMI can output 4:2:2 in 8 or 10-bit. That gives a lot more color information and is a huge benefit if you are shooting Log footage to maximize dynamic range.

The ProRes RAW format is a perfect vehicle for an 8K workflow, from ease of use natively on the timeline within Final Cut Pro, to the flexibility of the image processing with full adjustment of WB and ISO control. Ninja can capture RAW HDMI inputs up to 6K at 30fps and simultaneously output a standard viewable video signal via HDMI for devices that don’t support RAW formats.Remote view doesn’t need expensive hardware and uses the public internet, so it’s global. But Atomos technology ensures there are no delays. You can receive up to four RemoveView feeds on a single screen. It’s all configurable from a simple web interface. Likewise, a full-sized HDMI to micro HDMI cable is also widely available. You can get an official Atomos cable, but from experience I’ve found buy a decent quality alternative rather than the AAtomos branded version, they’re a lot cheaper and tend to be better quality.