I was looking for a microphone with which to write movies and do re-recordings. In fact, initially I wanted to take a Rode microphone, but my love leaned more towards the Sennheiser company, and therefore I decided to take this one. Due to the limited budget, it was necessary to choose the perfect option, and I found it! I've never had it shut down on me unexpectedly because the low battery warning comes in well before it actually runs out. Talking about battery life, it is amazing. One battery lasts for days and since it's only one cell you can just have a reserve ready in the carrying pouch at all times. Ideally the output impedance of a device should be one tenth the input impedance of the device you plug it into for the best sound.

Better is to use a balanced to unbalanced converter. These are available as passive boxes that don't require any power. All they are is usually just a high quality 1:1 transformer properly wired. Often they can be used in both directions. Personally I like the Radial StageBug SB-6 which can do this but there are many different brands that have similar devices." The MKE 600 is a versatile mic that can be used when any situation suits you. It's perfect for all types of performances and environments, from small talk in between songs or interviews to speaking up at conferences. The Sennheiser MKE600 mic is also a great choice for those looking to record their voice and instruments. It has better windscreens, so you won't need the optional ones that come with other mics plus it's affordable. If there’s one manufacturer that comes to mind when you bring up shotgun mics, it’s Sennheiser. With the Sennheiser MKH 416 serving as an undeniable industry standard, it’s no question that the company has become the go-to for sound engineers and crew in the film and TV industry. With a lightweight yet durable design, incredible sound, and all-around fantastic quality, the MKH 416 has proven its quality again and again. Sometimes it happens that there may not be enough dynamic range at a particular volume, but this can always be controlled and corrected.As for the speaker outputs, directly from the mixer they ought to be line level, which would be fine. But you certainly don't want to take the amplified signal that is being sent to the speakers. Also, you'd need to split the signal, which may degrade the quality. The mixer ought to have other outputs that you could use instead of the speaker outputs. It's a matter of setting up the mixer so that the signal is routed appropriately. Sure, there are situations where a shotgun won't capture what you need at an interior location, but there are many situations where it's the ONLY mic that will capture what you need. It really comes down to the type of situation and/or location. What is/are the sound source/s? What is the ambient noise? etc etc The controls on the shotgun are really well designed. Unlike with other Receivers, you won't need any pins because it can easily switch between modes using just your fingers. The new product is a step up from the rest, as it offers you an on/off switch for your battery so that during conversation you don't have to interrupt what's being said with another person. This way we can still hear each other clearly while talking without having worry about listening positively or negatively judging someone else's point-of view because they were not able to talk yet. Ce sont deux micros fort identique en terme de qualité sonore et de fabrication, mais mon choix ses porté sur le MKE 600 pour les raisons suivantes:

If you are looking for a shotgun mic that is affordable, compact and lightweight, the Sennheiser MKE600 might be the perfect choice. At first glance, it looks like any other shotgun microphone- small with a long cylindrical shape. However, once you get your hands on it and start using it for its intended purpose- to record audio- you will understand why this product is so popular among both amateur videographers as well as professional filmmakers. Read more about what makes this microphone so great here. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself. A single battery charge is said to provide up to 150 hours or just over 6 days of continuous use. Note, that there’s no auto-power-down feature. Power and low-cut filter switch are the only buttons on the MKE 600 itself. The 416 is THE short shotgun that all others have been and will be compared to, my untrained ear can't tell the difference between this mic and the NTG 3.The mic is very quiet with no discernible onboard noise. It rejects noise from the side and rear very well. I understand that the principle is the similar to pressure zone microphones and that its main purpose was to provide ambience from the entire area of a sports ground during a match... The MKE 200 is in line with entry-level budget onboard mic options, benefitting from the Sennheiser professional lineup in design and sound. It lets through low-end frequencies and comes to life in a vlog or close proximity setup. It’s compact, lightweight, and pleasant to look at, which makes the Sennheiser MKE 200 a great all-around choice.

In fact, in 90% of the documentary work I do, a shotgun is the best mic for isolating a person speaking (impromptu) when surrounded by other ambient noise; an office, a factory, a server room, workshop etc, regardless of whether it's interior or exterior. Sorry Benton, but I've got to qualify here. This statement, and those that have stated this previously in this thread, is simply wrong. To say you can't use shotgun mics for interior work, simply isn't true. More testing and recordings are needed before I finalize my thoughts on the MKE 600 and 200, but my early impressions of the two are positive. The MKE 600 has a professional swag with a few important features for modern-day creators and videographers, while its versatility to switch between shooting environments and the way it handles itself is very attractive. Noise is kept to a minimum which offers wiggle room for post-processing. Sennheiser shotguns are the industry standard for sound engineers and crews in film. The company has an undeniable reputation as a trustworthy producer of microphones, with their MKH 416 serving as one such example that proves quality never goes unnoticed or unappreciated at any level of production.Hey Art, the shotgun I currently use a Rode NTG-3. As Howard has described, this is is Rode's answer to the venerable 416. It's not as good, but pretty close at roughly half the price. With a 10 year warranty! I also have a ME66, but rarely use it these days, except as an audience ambiance/applause mic. Le bruit de fond est moins présent que sur le ntg4+ (même si il est plutôt faible et très correct sur ces deux micros).