zurna — zȗrna (zȗrla) ž DEFINICIJA 1. glazb. puhaći instrument jakog piskavog zvuka, vrsta frule, svirale kod istočnih naroda (Iranaca i Turaka) 2. reg. naziv za dijelove tijela s najmanje mišićnog tkiva: cjevanica, podlaktica, gležanj… … Hrvatski jezični portal Kemence is a three-string instrument. While kiris strings from gut used be put on kemences, these days mostly metal strings are used. Baglama is the most commonly used string folk instrument in Turkey. It takes different names according to the regions and according to its size such as Baglama, Divan Sazi, Bozuk, Çögür, Kopuz Irizva, Cura, Tambura, etc. Azerbaijan:: Balaban". garabagh.net (in Azerbaijani). Archived from the original on 2018-06-24 . Retrieved 2018-06-24.

The origin of the zurna is China. China is the homeland of all woodwind instruments with holes on them. In addition, the first simple version of instruments such as zurna and mey emerged from these lands. Susanna, which is still used in temples or funerals in China, is another version of the zurna. There are two main groups of strings on tar. Those in the first group are used in playing the tune and consists of three groups of two strings. The other group of strings are called Kök and Zengi and are tuned according to the mode to be used and enhance the tone. Kabak KemaneReed instrument a folk oboe with a conical body made of wood or horn (ever buree = horn), widening towards the end. It has seven finger holes and one thumbhole. A metal staple carries the reed and a lip-disc in the shape of a funnel. The short form of the instrument is known as "haidi", meaning 'flute of the sea'. The combination of constant volume and non-stop playing makes the zurna unsuitable for emphasis of the rhythm. It has therefore been played almost invariably along with big drums that both provide the rhythm and the lower frequencies that travel further away than the zurna's loud, high pitched sound. As you can see, there is no shortage of interesting Turkish musical instruments, especially when it comes to folk music. Oldest Turkish records suruna in Codex Cumanicus(CCM fol. 45a) < Persian word that is combined of two parts:

The parts that make up the zurna show regional differences in Anatolia terminology. There are many types of zurna in terms of length and shape. It can change from zurna to zurna with small changes. Zurna can be produced from many tree species such as juniper, ash, dogwood, boxwood, willow, plum, mulberry, linden, and walnut. The length of the zurna should be at least 300 millimeters and at most 317 millimeters. A fork is attached to the head of his body. This tong is attached to edit the root register of the musical instrument.

Come back when you're older

We proudly present our latest release Ottoman Mehter Zurna which contains professionally played and recorded zurna melodies ready to take your musical experience to the next level!

These so-called spoon dances are popular in many regions of Turkey, and they are most popular in the Anatolia and Mediterranean regions. The "zurna" (also called "surnay", birbynė, lettish horn, surla, sornai, zournas, zurma) is a double-reed outdoor wind instrument, usually accompanied by a davul (bass drum) in Anatolian folk music. Organologically, the zurna differs from the "ney", a quiet double-reed instrument with a plaintive sound compared to the loud, strident zurna. The mey has a reed as large as the body of the instrument compared to the small zurna reed.Tuiduk is a wind instrument (similar to surnai). Turkmen say that Adam who was moulded from clay had no soul. It is said that it was only due to the melodious tuiduk playing Archangel Gabriel could breath life into Adam. According to a Turkmen legend the main role in tuiduk invention was played by the devil (note the term ″devil openings,″ "şeytan delikleri", in Turkish for the small apertures on the bell). There is a ritual of inviting guests for a celebration which has survived from ancient times. Two tuiduk players stand in front each other, point their instruments upwards and play in unison. While doing this they perform magic circular movements which remind that this ritual used to be linked to shamanism. In 1932, Uzeyir Hajibeyov created an orchestra consisted of Azerbaijani folk instruments. The first tar and kamancha concerts with symphony orchestra were arranged by Haji Khanmammadov. Nowadays, Farkhad Khudyev and Imamyar Hasanov are well-known Azerbaijani kamancha players. In 2013, Farkhad Khudyev performed concert for kamancha with the Youth Music Monterrey County Symphony Orchestra from California dedicated to the 25th anniversary of the Khamammadov’s Symphony Orchestra. [8]a b Huseynova, Aida (March 2016). Music of Azerbaijan: From Mugham to Opera (Ethnomusicology Multimedia). Indiana University Press. ISBN 9780253019455. It has 5 or 7 finger holes above and one finger hole below. It is similar to the Mizmar. The Zurna had often been featured in the Ottoman military bands. Zurnas are also used in the folk music of the countries in the region, especially Turkey, Armenia, Bosnia, Republic of Macedonia, Greece, Iran and the other Caucasian countries. It has origins in ancient Egypt, and has now spread throughout the Islamic world, China, and Eastern Europe. In Russian folk music, it is used in sad folk songs. It is often used in the music of Lithuania and Belarus, where bands such as Sutaras and Stary Olsa use them in traditional music.

National Commission of the Republic of Azerbaijan for UNESCO". www.unesco.az . Retrieved 2018-06-24. The instrument can be divided into three parts, with the top part consisting of the reed, which produces the sound. In this way, it resembles many modern and western woodwind instruments, and it has a counterpart in Azerbaijan called the Balaban. Zurna — aus Grenadillholz, Zunge (dil) aus Ebenholz und (von links nach rechts) unbeschnittenes Rohrblatt (kamış), beschnittenes und verbranntes Rohrblatt und an das Rohr (boru) befestigte Rohrblatt … Deutsch Wikipedia Zurna is an instrument that is widely used in Azerbaijan. The word zurna consists of two parts: “sur” (great party) and “nay” (reed). The 302–317mm long body is carved from the trees of walnut, mulberry or apricot trees and the width of the mouth pieces is 20mm and extends in the end portion up to 65mm. According to the archeological excavations there is found four pipes made from deer horn in Mingachevir. [16]Art of Azerbaijani Ashiq - intangible heritage - Culture Sector - UNESCO". ich.unesco.org . Retrieved 2018-06-24.