All Things Must Pass (50th Anniversary - Deluxe)

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All Things Must Pass (50th Anniversary - Deluxe)

All Things Must Pass (50th Anniversary - Deluxe)

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Release issued with a 36 x 24 poster of George, and each inner sleeve is in a different colour, each containing the lyrics. In January 2014, All Things Must Pass was inducted into the Grammy Hall of Fame, [317] an award bestowed by the Recording Academy "to honor recordings of lasting qualitative or historical significance that are at least 25 years old".

In a 1992 interview, Harrison commented on the volume of material: "I didn't have many tunes on Beatles records, so doing an album like All Things Must Pass was like going to the bathroom and letting it out. nb 31] The latter series served to illustrate Harrison's dismay at "the direction the world seemed headed at the start of the millennium", Gary Tillery observes, a direction that was "so far afield from the Age of Aquarius that had been the dream of the sixties". I’m not completely adverse to the sound of the remix as I did really enjoy George’s increased vocals and more detail, but I felt it lost some of the weight, presence and nuance of the original; I also noticed considerable amounts of distortion on the busier moments of tracks like ‘isn’t it a pity’ and ‘let it down’ which sounded compressed and muddy. Clapton's feelings for Boyd inspired many of his songs on Derek and the Dominos' only studio album, Layla and Other Assorted Love Songs (1970). John Barham's orchestrations were recorded during the next phase of the album's production, [168] starting in early September, along with many further contributions from Harrison, such as his lead vocals, slide guitar parts and multi-tracked backing vocals (the latter credited to "the George O'Hara-Smith Singers").

According to White, a "really good bond" formed among the musicians; the main sessions lasted three weeks and "There was no mucking around. Aside from his contributions to projects by Starr, Clapton, Preston and Ashton during 1970, over the following year Harrison would reciprocate the help that his fellow musicians on All Things Must Pass had given him by contributing to albums by Whitlock, Wright, Badfinger and Keys.

The reissue coincided with the Harrison estate's similarly low-key [346] release of the Ravi Shankar–George Harrison box set Collaborations [347] and East Meets West Music's reissue of Raga, the long-unavailable documentary on Shankar that Harrison had helped release through Apple Films in 1971.On 28 October, Harrison and Boyd arrived in New York, where he and Spector carried out final preparation for the album's release, such as sequencing.

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